neon chaser

Is happiness more selfish, or is sadness? His visit was like a WWE smackdown of happiness, but her wiring was calibrated to interpret warnings, dark omens, wooden signs jammed crookedly in the forest floor that read “Turn back now.” She was not calibrated to simply enjoy. She had to force herself as he touched her. Be here. Be now.

Part of this was watchfulness. Being sad meant you were aware, that you were the wooden sign jammed crookedly in the forest floor. You could tell people, “Turn back now.” If you became too good at this role, you stopped smiling, but it didn’t matter. You were the lookout.

Much later, long after he had left, she sat listening to a young man recount how many shots of tequila he had had that day. He told her he was going to move soon, for a job. She congratulated him, eyeing the neon drink that was his untouched chaser. He shrugged, explaining what this job meant in the context of his struggling love with a woman.

Elwood P. Dowd was right: no one ever brings anything small into a bar. And her reaction to his angst was no smaller than the angst itself. It was as though in that moment, the souls of two strangers connected to download a single truth: Do not say no to this opportunity.

Ironically, she wanted to wave her arms tell him, Love is never worth it.

She wanted to say that, not because that was how she felt that day, but because that was what had been true for her in very similar circumstances at his age. When it comes to truth, one size never fits all. What is accurate for you today may become totally irrelevant in ten year’s time. In one moment, your epiphany may be to discover your own independence. In the next, it may be to experience vulnerability.

Growth is not mastering one set of circumstances. It’s becoming open to all circumstances.

That can be tough to explain at eleven o’clock at night when someone is working on his fourteenth shot of tequila, so she just gave him a hug, pressing his drooping head into her chest. Because if there is ever a time when it’s okay to comfort with boobs, this was it.

She wanted to tell him that it would not matter in ten years, that he would become a totally different person, that he would learn to use the word “toxic,” that he would break 2.3 hearts in the process of shedding this skin. That one day he would not order those neon chasers, because one shot would be enough.

She wanted to tell him that when she smiled, she set people on fire. It was not a boast. It was, in fact, terrifying. To a storm cloud, to have the power to summon the sun is an overwhelming majesty. She wanted to say, This could be you someday.

She wanted to say, It’s oddly easy. To be happy.

The secret (who knew?) was to run out of shits to give.

The equation seems counter-intuitive but goes like this: We’re unhappy not because things suck, but because we label things as sucky. We decide, “this is good,” and “this is bad.” We decide “this is what I want,” and “this is not what I want.” And by doing so, by smacking stickers on every single experience, we guarantee our own misery.

Life doesn’t actually care what you think you want. Selfish, selfless, happy, sad, straight or with a chaser: life just is.

Do not say no to this opportunity.

Notes from the island: Amie

She was starting to feel like she was alone in a crowd, singing a song no one could understand. Nearly every day she found herself wishing she could better articulate one simple point:
Calm down. It will all be okay.

Ironically, in a city gone mad, that seemingly simple point was harder to make than any complex legal argument. Try telling the man staggering up the street, drunk at 9am, that it will all be okay. Try telling the people driving like bats out of hell to jobs downtown that it will all be okay. Try telling your coworkers that, or your mother, or even your cat.

Driving off the ferry one night, safe from the rage-filled city, she felt inclined toward a whiskey ginger. Into the dive she walked, wondering how many stories in her life began with “I walked into a bar,” or ended with, “And then I paid my tab and went home.” She couldn’t seem to escape the reality that no matter what else was going on in her life, one solution was always to sit down on that stool.

If only she had such faith in other spiritual practices, like yoga, or helping at a soup kitchen.

But this was another question she could ponder over ice.

Fiddling with her phone, she remembered that she had uninstalled all her social networking apps, like Instagram and Facebook. In a fit of enlightenment, she had realized that these supposedly social tools were actually preventing her from socializing. The only way to explore this theory had been to uninstall them. Toying with the idea of now re-installing one just for something to look at, she sighed.

Forcing herself to test her hypothesis, she set down her phone, walked over to the group of folks at the other end of the bar, and asked them how their night was going.

She was soon ensconced at the corner stool, discussing everything from Utah to Hawaii, software to poetry, suicide to morality. This was what always tempted her to return to a good dive: it was the most likely place you could have philosophical conversations.

And it was better than an app.

It was revealed to her that she shared her name with one of the bartender’s children, who had committed suicide as a teenager several years before. He elaborated, describing how and when and why. Inhaling, she felt no need to run away from the conversation. This was an opportunity to practice articulating her inarticulate song.

She said, “I feel the need to say something presumptuous.”

He waved his beer at her in invitation.

“I have always struggled with anxiety and depression. I know a little bit about what inclines someone toward suicide. What you’re describing… the way he did it, and his reason… there was something in his wiring. If he hadn’t done it then, it would have been a year later, or five.”

“That’s what his sister says,” he told her.

“But you feel guilty,” she pressed on.

“There is some of that,” he agreed, and joked without humor, “That’s why I come here.”

She suggested he think about letting go of that.

She didn’t really know if he could have done things differently. She just knew with utter confidence that it no longer mattered. His guilt now only served to keep him on that bar stool with that pint glass.

If she was ever going to get off her stool, she had to find a way to show people that it would all be okay. Even when it most profoundly was not. It was simply a song she could not get out of her head.

He thanked her, patted her shoulder, and bought her another drink. A stocky regular sat down with them. They chatted about her recent move to the island. And then “Amie” came on the jukebox.

Together without discussion the three of them began to sing along, and sang every chorus to the end.

For 4:23 minutes, life was completely, unreservedly okay.

The husky fellow held out his large hand to shake hers, saying, “Welcome to the island.”

She paid her tab and went home.

Friday Night Teddy Bear

She fantasized that she could walk into Salty’s and find him with a beer and a drunk buddy discussing some deep subject like whether pink lures worked better than purple ones. He would act surprised to see her, attaching great significance to her arrival, and say something idiotic about how they were meant to be together. She would sit down with her own drink and assure him they were not.

But in this fantasy she would take him home. She would do this because sex with him was like being with an extremely ferocious teddy bear, a combination she had longed for for some time.

It appeared to be impossible for her to want a normal love with a normal man. Whenever she got frustrated with the obsessive, melodramatic men she knew, the type of men for whom reality was a highly optional endeavor, she would remind herself that in her daily life she encountered just as many cheerful, well-adjusted men. They just bored her to death.

And this was probably the crux of it: she didn’t want a relationship. She wanted a Netflix series of a man, a bingeable drama that you could also pause or mute. She wanted a love that was wild and true and could be turned off when it was time to go to work.

In the meantime, he wasn’t at Salty’s, and she could never just call him up. That would be too easy. So she paid her tab, and drove home. To her TV.

she goes out for new year’s

she goes out for new year’s

She wasn’t sure why she kept carrying around the damn Minion. Just a cheap plastic Christmas ornament she’d meant to hang from her rear view mirror, thinking it would put a smile on her face on dark winter mornings to see the grinning fella with his wreath. But now it was New Year’s Eve, she was leaving a bar, and a man was asking for her number, and more. Fishing through her purse for a pen, she instead found the Minion in her hand…

Ordinarily she hid on the last night of the year, unamused by the ruckus as only a seasoned bar-hopper can be. She hadn’t hopped any bars since moving to this little island, though. She was now a grounded gal in boots with real beach mud on them. So why bother with nylons and strangers, she grumbled to her mother.

But she did anyway.

Driving into town, it was very clear the classy bar was tucking itself in for the night and the party was at the local dive. The twang from a country trio filled the otherwise silent night sky. So she walked in her long skirt into the only establishment in town boasting plate-size pancakes in the mornings and five dollar doubles at night.

Everyone was in jeans and everyone was plastered.

She felt like a princess in the worst possible way, but out of sheer principle she ordered a beer.

The problem with showing up after a football game and four rounds is that everyone around you has partnered up to the degree they’re going to. The buffet is basically empty, and unknowingly, you have become the last drumstick.

A drumstick in a skirt.

She had to keep her wits about her.

A drumstick discovers quickly that nice men move slowly, while weirdos and the very horny have no inhibitions. But it was the retirees who were unnerving her, their eyes locked on her from all corners, like the sight of her cleared the beer from their bleary brains and made room for just one delicious thought:

Thigh meat.

Exhausted by the military maneuvers before she’d even finished peeling the label from her beer, she gave in to the second guy who approached her, letting him sit with her and pretend to have a conversation through the music and his drunken blur.

He made her laugh, but she couldn’t tell if it was intentional. She mostly felt pleased that his presence protected her from the old men, many still staring.

At midnight, he faltered and kissed her hand. She made him get up and dance, and he did, and kissed her there. And she liked it, in spite of how blurry he was. He was a man, and the song was festive, and she’d made it out of the godforsaken year before, and it was enough to make her laugh.

A little later, as he negotiated with a buddy over a spare cell phone he wanted to buy, it became clear that the kiss to “Brown Eyed Girl” would be as magical as her first New Year’s Eve on the island would get.

She told him she was going to turn into a pumpkin soon, and then had to explain what she meant. Because his cell was broken, and he wanted her number, and giving it to him seemed like the easiest way to leave, she fished through her purse for a pen.

He said something she couldn’t hear. She leaned forward to hear him repeating, “I want to come with you.”

She wanted to say, I know you do, but I don’t, in any way, want to take you with me. Instead she handed him the Minion because it was in her hand. He set it aside, saying it again.

She realized looking at the ornament resting on the bar by his hand that giving it to him had made no sense, and yet had also been the most sincere thing she’d done all night. She felt certain the right guy, the guy she would take home, would have somehow understood that a Minion is significant.

For now all she could do was leave the bar, making her first New Year’s resolution as she pushed the door open: The next man I kiss will take the Minion.

minion